Jon Burlingame, On Film & TV Music

• This year’s Oscar race for song and score
  The Oscar nominations for 2022 were announced on January 24, and four of the five best score nominations went to previous winners or nominees. I spent some time analyzing the races, and here is a pair of Variety stories that look in depth at the five song and five score nominations with a few words... […]
• John Williams talks “Fabelmans,” “Indy 5”
  At 91, composer John Williams is still so busy that it’s hard to pin him down for an interview. But I was able to do that on Thursday morning and on Friday Variety posted the story. He talks about reuniting with director Steven Spielberg for The Fabelmans, loosely based on the filmmaker’s childhood; about eight... […]
• Gerald Fried of “Roots” and “Star Trek” fame dies
  Gerald Fried was the first composer I ever interviewed, back in 1974. I had been a huge fan of his work on The Man From U.N.C.L.E. and he gave me a wonderful half-hour. He went on to collect an Emmy for the landmark miniseries Roots and even greater fame for his iconic Star Trek battle... […]
• Hildur Guðnadóttir profile
  Icelandic composer Hildur Guðnadóttir, who took the business by storm a couple of years ago — earning an Emmy for Chernobyl and an Oscar for Joker — was back in town recently to discuss her music for Tar and Women Talking. It was a rare opportunity for me to write a cover story for Variety,... […]
• New John Williams theme for college football
  Ninety-year-old John Williams, who has hinted that his music for Steven Spielberg’s The Fabelmans and the forthcoming Indiana Jones and the Dial of Destiny will be his last for films, still can’t seem to slow down. In December, he recorded a new three-and-a-half minute piece for ESPN’s coverage of the College Football Playoff National Championship,... […]
• Women composers in film; popularity of TV themes
  Once in a while my editors at Variety will commission an essay on a topic of current interest. They asked for two in December, and I found both fascinating: A long piece looking at the progress, or lack thereof, that women composers have been making in film and TV music; and a second, somewhat lighter... […]
• Best of 2022 in Classic Film Soundtracks
  The rest of the music world may have gone digital, but the record labels that cater to movie-music fans continue to produce first-rate soundtrack albums (actual physical product!) that focus on classic scores or previously unreleased ones. And many contain detailed liner notes that go into greater depth about the music than has ever been... […]
• The 2022 Oscar Shortlist
  A few years ago, the Academy of Motion Picture Arts & Sciences’ music branch — the approximately 400 composers, songwriters and music editors who decide the Oscar nomination slate for songs and scores — returned to an old practice: the “shortlist,” a way of winnowing down the vast number entered (this year, 147 scores and... […]
• Composers up for awards this season
  Every year, mostly in November and December, Variety asks me to see a nonstop barrage of new movies and interview their composers. This year’s crop included Justin Hurwitz for Babylon, Marcelo Zarvos for Emancipation, Chanda Dancy for Devotion, Nicholas Britell for She Said, Ludwig Goransson for Black Panther: Wakanda Forever, Hildur Guonadottir for Tar, Terence... […]
• Grammys finally add a video game music category!
  This year the Recording Academy finally added a category for game music soundtracks. It’s a far more important issue in the composer community than ever before, considering the vast number of games being played and the high quality of music now being composed for them, by some of the most talented people in the industry.... […]